Each individual project, not each company, will have its own pricing structure, and each individual camera may be equipped with a specific price tag. Your project needs to be a major undertaking or have a major impact on the client’s business and needs. For instance, a well-directed documentary film may require a substantial production budget. A high-profile film may require substantial advertising and promotion in order to promote the film properly, or may require an extended production schedule. Consult the client to determine whether, at their level of commitment and risk, a typical project entails a significant investment that needs to be considered.
Your client and/or production company may also have requirements of your production value, or your potential to contribute to the film’s success. These may be different from those you and the client have in mind. If so, you’ll need to work together to decide what the client may need from you. Do you have sufficient experience or potential on film and/or video? Would you be willing to be a producer or director on the project? This and some other considerations may need to be discussed ahead of time before you make a commitment or decision. If you’d like to use your existing creative skills and skills that you’ve learned from your film industry experience, it’s likely you’d be open to doing so.
For many productions, each client has a specific budget, project scope and timeline. This means that if there are some significant differences in the budget and time frame of your project, you may want to consult with your client to informally discuss the differences and to discuss how you might work together to meet those differences. You’ll need to work together with the client to determine what the clients’ needs are, whether your own needs differ, the types of projects you have that you’d be willing to work on together, and potentially some additional details.
When and how do I know who has a camera?
Whether you’ll be working exclusively or with others, you should have something to show to your client before working together.
Your job should reflect a sense of your expertise and what you’re looking to accomplish. If your film takes place in an industrial or commercial setting, you’re better off telling your client directly whether you have or will be using a video or videography device. If you’ve shot something similar before but didn’t tell your client, it probably won’t help. If your film explores the nature of identity, you may feel much more comfortable doing so.
The cameras will be set
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